Her playing is as physical as it is phantom, combining spontaneous compositions with a feel for the full interaction of flesh with hallucinatory power sources. Weaving a trail from West Virginia to Texas and now residing in Scotland, Heather Leigh furthers the vast unexplored reaches of pedal steel guitar.
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Peter Brötzmann is one of the most important and uncompromising figures in free jazz and has been at the forefront of developing a unique, European take on free improvisation since the 1960s. Boomkat Product Review: The Brötzmann / Leigh duo push a taut, distortion-oiled copulation of pedal steel guitar and tenor/alto-saxophones/tarogato and B-Flat clarinet in the cranky squeeze of Sex Music for Austria’s Trost, offering the 2nd. “In a set of spare duets with pedal-steel radical Heather Leigh, the multi-reedist presents one of the moving statements of his 50-plus-year career” - Rolling Stone magazine 4* review of the duo’s 2018 release ‘Sparrow Nights’ Cat No: TR163CD Release date: 14 June 2017 Label: Trost Records Genre: JAZZ / FUSION. The fierce rapport between this duelling duo is an invigorating live experience, and their two studio albums have received enthusiastic critical acclaim across the board. Since 2016 she has also worked in a duo with Peter Brtzmann, with whom she recorded the albums Sex Tape, Ears Are Filled with Wonder and Sparrow Nights. Note Productions, in association with the Improvised Music Company, present the explosive pairing of Peter Brötzmann on reeds and Heather Leigh on pedal steel to open SPECTRUM 2019. – The Quietus on the 2017 release ‘Sex Tape'
If you don’t like free jazz, you might not be able to stop yourself from being carried along on such molten momentum, and if you do, it will be like being swallowed whole by a truly visceral vortex. Please add me to your list of favorite sellers and visit often. Tickets: Early Bird €15/ Standard €18/ Door €20 SOUNDANDIMAGE stocks the finest selections of music & music related items on LPs, CDs, 78s, tapes, videos, books, autographs & collectibles, specializing in Jazz, Classical and Pop. They close of the performance with two shorter pieces, “Autumn Drizzle” and Frozen Whistle” with the former developing from probing piano and drums through to epic squeals and wails of saxophone, while the latter acts as a haunting coda to a most intense and impressive performance.In association with the Improvised Music Company, as part of Spectrum 2019 This long performance is all about dynamism, from a flowing solo piano section to long lines of torrid free saxophone and drums interacting. October 1997 (CD) Peter Brötzmann Elements (LP) Peter Brötzmann Couscouss De La Mauresque (LP) Peter Brötzmann The End (LP) Peter Brötzmann The Worse The Better (CD) Peter Brötzmann. He moves to saxophone as the music moves into a jazzy and sultry feel before subtly rising back up with cries of passion, culminating in full bore free improvisation. Sex Tape (CD) Peter Brötzmann Blue City - Live At Blue City Osaka / Japan 16. The epic “Icy Spears” opens with the raw cries of Brotzmann’s torogato moving into full improvisation with the group. Paal Nilssen-Love and Peter Brotzmann - Levontin 7 Tel Aviv 30th March 2015 (Catalytic Sound, 2017) The great Norwegian drummer Paal Nilssen-Love has played on many occasions with the legendary German reed instrument master Peter Brotzmann, and this is an excellent entry into the annals of their partnership. Brotzmann’s instantly identifiable sound conquers all, leading toward brilliant sections of interplay. However, this duo had already established itself as one of the main outfits of Brötzmann. This isn’t just slash and burn experience, but music that moves through different motifs and expressions. Sex Tape is only the sophomore release of Brötzmann and Leigh, recorded in the middle of a European tour, following Ears Are Filled With Wonder (Not Two/Trost, 2016). Sex Tape Brtzmann & Leigh Peter Brtzmann-alto saxophone, tarogato, B-flat clarinet Heather Leigh-pedal steel guitar. He even drops out, allowing for a piano and drums section before picking up the thread of conversation. It’s interesting to hear Brotzmann perform with a pianist, something that I have rarely heard him do. The title track “Yatagarasu” leads off the album with wailing saxophone, piano and drums. The great German free jazz saxophonist Peter Brotzmann (also playing clarinet and tarogato on this album) is joined by Masahiko Satoh on piano and Takeo Moriyama on drums on this exciting and frequently thrilling album which was recorded in November of 2011 in Krakow, Poland.
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